PAUL O’DETTE
ARCHIVE VIDEO FROM MAY 22, 2020
(includes preconcert talk; the music begins at 28:00)
Prefer to watch on Youtube? click here or copy and paste https://www.youtube.com/watch?v=h6ypzDDDzpg into your browser
Please contribute now to the Chamber Music Society of Detroit’s CameraMusic Fund. 100% of all contributions to this fund are used to help us pay performance fees to the artists for their LIVE CameraMusic webcast concerts. Thank you!
CO-PRESENTERS
Chamber Music Society of Detroit
University of Chicago Presents
The Academy of Early Music
WFMT
DESCRIPTION
Paul O’Dette, the “dean” of American lutenists, came to his instrument in a perhaps less than usual way – as an electric guitarist playing in rock bands. On a quest to develop his guitar technique, O’Dette began studying classical guitar, which led him to his soul mate, the lute. Now, as a GRAMMY-winning lutenist and one of the defining figures of historic performance practice, O’Dette, who is also Director of Early Music at Eastman School of Music and Co-Artistic Director of the Boston Early Music Festival, may be able to credit his history covering rock guitarists and bands such as Cream, Hendrix, and Led Zeppelin for his unique ability to carefully balance historical awareness and idiomatic accuracy with ambitious self-expression.
O’Dette brings his distinctive and spirited touch to a program of Elizabethan ballads and Scottish tunes, including Anthony Holborne's variations on “The Gordian Knot” and a ballad tune titled "Lost is My Liberty." Before the concert, University of Chicago Professor Lawrence Zbikowski, himself a classically trained guitarist, talks with O’Dette about his approach to the instrument and to historical interpretation.
“ …should I come to meet Saint Peter at the pearly gates, I hope he will say, ‘Welcome, good and faithful servant! By the way, be sure to hear Paul O’Dette—he’s leading the angel band.”
ABOUT THE ARTIST
Paul O’Dette - Lutenist
Paul O'Dette has been described him as “the clearest case of genius ever to touch his instrument.” (Toronto Globe and Mail) One of the most influential figures in his field, O'Dette has helped define the technical and stylistic standards to which twenty-first-century performers of early music aspire. In doing so, he helped infuse the performance practice movement with a perfect combination of historical awareness, idiomatic accuracy, and ambitious self-expression. His performances at the major international festivals in Boston, Vienna, London, Paris, Amsterdam, Berlin, Munich, Prague, Milan, Florence, Geneva, Madrid, Barcelona, Tokyo, Moscow, St. Petersburg, Buenos Aires, Montevideo, Melbourne, Adelaide, Los Angeles, Vancouver, Berkeley, Bath, Montpellier, Utrecht, Bruges, Antwerp, Bremen, Dresden, Innsbruck, Tenerife, Copenhagen, Oslo, Cordoba, etc. have often been singled out as the highlight of those events.
Paul O'Dette has made more than 145 recordings, winning two Grammys, receiving eight Grammy nominations and numerous other international record awards. “The Complete Lute Music of John Dowland” (a 5-CD set for harmonia mundi usa), was awarded the prestigious Diapason D'or de l'année and selected as the “Best Solo Lute Recording of Dowland” by BBC Radio 3. “The Bachelar’s Delight: Lute Music of Daniel Bacheler” was nominated for a Grammy as “Best Solo Instrumental Recording of 2006.”
Mr. O'Dette is also active conducting Baroque operas. His recording of Charpentier’s La Descente d’Orphée aux Enfers with Stephen Stubbs and the Boston Early Music Festival Chamber Ensemble won a Grammy for “Best Opera Recording of 2014,” as well as an Echo Klassik Award in the same category. In 1997 he directed performances of Luigi Rossi's L'Orfeo at Tanglewood, the Boston Early Music Festival (BEMF) and the Drottningholm Court Theatre in Sweden with Stephen Stubbs. Since 1999 they have co-directed performances of Cavalli's Ercole Amante at the Boston Early Music Festival, Tanglewood, and the Utrecht Early Music Festival, Provenzale's La Stellidaura Vendicata at the Vadstena Academy in Sweden, Monteverdi's Orfeo and L'Incoronazione di Poppea for Festival Vancouver, Lully's Thésée, Conradi’s Ariadne (Hamburg, 1691) Mattheson’s Boris Goudenow, Lully’s Psyché, Monteverdi’s Poppea, Handel’s Acis and Galatea, Steffani’s Niobe, Handel’s Almira, Campra’s Le Carnaval de Venise, Pergolesi’s La Serva Padrona and Livietta e Tracollo for the Boston Early Music Festival. Six of their opera recordings have been nominated for Grammy awards, including Ariadne as “Best Opera Recording of 2005,” Thésée in 2007, Psyché in 2008, La Descente d’Orphée aux Enfers in 2014, Niobe in 2015 and Charpentier’s Les Arts Florissants in 2019. Their recording of Agostino Steffani’s Niobe, was awarded a Diapason D’or de l’année, an Echo Klassik Award and the prestigious Jahrespreis der Deutschenschallplattenkritik. Paul O'Dette has guest directed numerous Baroque orchestras and opera productions on both sides of the Atlantic.
In addition to his activities as a performer, Paul O'Dette is an avid researcher, having worked extensively on the performance and sources of seventeenth-century Italian and English solo song, continuo practices and lute music. He has published numerous articles on issues of historical performance practice and co-authored the Dowland entry in the New Grove Dictionary of Music and Musicians.
Paul O'Dette is Professor of Lute and Director of Early Music at the Eastman School of Music and Artistic Co-Director of the Boston Early Music Festival.
ABOUT CameraMusic:
"Musica da camera" (the Italian term for "chamber music") takes on a whole new meaning during the COVID-19 crisis, as musicians everywhere find themselves isolated and unable to perform for live audiences. CameraMusic is the Chamber Music Society of Detroit's answer to this, inviting artists to perform live on camera over the Internet from wherever they are. All artists performing on CameraMusic are being compensated for their work.
The Chamber Music Society of Detroit is able to offer these free livestreams only with the generous support of our listeners. Every dollar contributed to the CMSD’s CameraMusic Fund helps to pay musicians for their live CameraMusic performances. Thank you!
